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Pan\\\\\\\\\\\\'s Labyrinth Mp4 Movie Download
when del toro was at an early age, he was taken to see the house on haunted hill with vincent price. that made him a huge fan of the old school, classic horror movies. which came to him quite naturally. horror is a genre that is steeped in history. most horror stories start with a real life situation or incident. many of the great horror stories have been told before. but horror is the genre that is always in the state of being reborn. hopefully you will find some inspiration from the following horror films to help you with your next horror screenplay.
he was long time friend of pedro almodovar, who was co-producing the film with him. he would go on to direct a film the skin i live in with a script by guillermo del toro and david cronenberg. this was the beginning of a long friendship with the renowned filmmaker. the film was nominated for 3 academy awards and won 2. it was also nominated for the best foreign language film award.
most of the novel is set in spain in 1924 where a mysterious and noble but strange woman named ofelia takes her baby daughter to live with her father, the kindly garden caretaker in a town called la garcilaso. the movie drops ofelia into this town much later. ofelia believes that the evil faun is the cause of all the deaths and suffering in the town. the faun will still come back, she tells the priest. this scene, where vidal is arrested for threatening the priest, is one of the most disturbing and frightening scenes i have ever seen. vidal is an action hero in the movies, but this scene makes his character seem like a pathetic ineffectual person. what makes the scene so chilling is the lack of control and sense of rationality vidal has in that scene. in the book vidal is a young man obsessed with guns, vidal in the film has a criminal record, and he is obsessed with women.
the faun is by nature a tease, the character el topo is an amiable tease, and there is a great deal of banter between the two. el topo, being shy, hides the fact that he is a faun and becomes a person, a kind of double, when he can hold the spotlight. there is so much to both creatures that there is no possibility to designate one the dominant one. both is merely a being with many personality. el topo initiates the whole story, as he is on his way to be slaughtered and he comes across the faun in the side corridor where he protects it from that task. the faun gives ofelia a book that contains maps, but only if the faun agrees to take her on. it is the map to the place where she can find help. the faun is a slavish creature with the best intentions but it doesn't want to allow her to go alone. it creates a role for itself - ofelia's protector and a guide to the outside world. but a protector can only help, not end, the pain. there is no secret password, there is no escape, nothing can be said to a faun. it is a kind of animal philosophy summed up in "i know what you want", the faun can play with someone's mind, but as el topo says "someone is thinking of you.. in the hope that you are lost forever." one of the film's most striking elements is the film's dreamlike quality, the images are almost unearthly, something out of a folkloric fairytale. el topo, much like the faun, seems to be a kind of supernatural creature. the film is a double life. yes, it is a fantasy that simulates something real, but it is the real; and it is also the fantasy. the film is a fantasia, a mythical tale for adults. this is the only version that i've seen and the only one i'm aware that understands this and uses it in a way that is not patronizing, an approach that el topo's faun brings to a full stop when he is reminded that ofelia is eleven. no longer do the faun or his tribe offer the child anything, they want to judge her as a grown woman. 5ec8ef588b
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