Discografia Litfiba 1982-2012 22 📀

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Discover the Secrets Behind Litfiba's Music: A Comprehensive Review of Their Discography (1982-2012)

Litfiba is one of the most influential and successful Italian rock bands of all time. Formed in Florence in 1980, they have released 22 albums from 1982 to 2012, spanning different genres and styles, from new wave to hard rock, from pop rock to Latin rock. Their songs are mostly sung in Italian, but they also incorporate elements of English, Spanish, Arabic and other languages.

In this article, we will explore the secrets behind Litfiba's music, by reviewing their discography and highlighting their main themes, influences and achievements. We will also provide some tips on how to enjoy their music and discover their hidden gems.

The Trilogy of Power (1982-1989)

The first era of Litfiba's music is marked by the so-called "Trilogy of Power" (in Italian, "Trilogia del potere"), a series of three albums that express the band's refusal of every kind of totalitarianism. The trilogy consists of Desaparecido (1985), 17 Re (1986) and Litfiba 3 (1988).

Desaparecido ("Disappeared" in Spanish) is the band's debut album, and it shows their British-influenced new wave sound, with dark and atmospheric songs that deal with topics such as oppression, violence, alienation and resistance. The title track is a tribute to the victims of the military dictatorships in Latin America, while "Eroi nel vento" ("Heroes in the Wind") is a homage to the Italian partisans who fought against fascism during World War II.

17 Re ("17 Kings" in Italian) is the band's second album, and it introduces a more hard rock sound, with heavier guitars and drums. The album is inspired by the legend of King Arthur and his knights of the Round Table, and it uses medieval imagery and symbolism to criticize the corruption and decadence of modern society. The album features some of the band's most popular songs, such as "Re del silenzio" ("King of Silence"), "Tex" and "Cangaceiro".

Litfiba 3 is the band's third album, and it marks a further evolution of their sound, with more diverse and experimental influences, such as funk, reggae, rap and Arabic music. The album is also more political and social than the previous ones, with songs that denounce racism, war, pollution and consumerism. The album includes some of the band's classics, such as "Proibito" ("Forbidden"), "Yassassin" and "Cane" ("Dog").

The Tetralogy of Elements (1990-1997)

The second era of Litfiba's music is characterized by the so-called "Tetralogy of Elements" (in Italian, "Tetralogia degli elementi"), a series of four albums that are inspired by the four classical elements: fire, earth, air and water. The tetralogy consists of El Diablo (1990), Terremoto (1993), Spirito (1994) and Mondi Sommersi (1997).

El Diablo ("The Devil" in Spanish) is the band's fourth album, and it represents the element of fire. The album has a more Latin rock sound than the previous ones, with influences from flamenco, salsa and tango. The album is also more sensual and passionate than the previous ones, with songs that explore themes such as love, sex, jealousy and betrayal. The album features some of the band's most famous songs, such as "El Diablo", "Lo spettacolo" ("The Show") and "Sparami" ("Shoot Me").

Terremoto ("Earthquake" in Italian) is the band's fifth album, and it represents the element of earth. The album has a more heavy metal sound than the previous ones, with powerful riffs and solos. The album is also more aggressive and angry than the previous ones, with songs that express frustration, rebellion and dissatisfaction with the status quo. The album features some of the band's most intense songs, such as "Terremoto", "Il mio corpo che cambia" ("My Body That Changes

Spirito ("Spirit" in Italian) is the band's sixth album, and it represents the element of air. The album has a more pop rock sound than the previous ones, with catchy melodies and choruses. The album is also more spiritual and philosophical than the previous ones, with songs that explore themes such as faith, destiny, freedom and transcendence. The album features some of the band's most successful songs, such as "Spirito", "Lo spettacolo" ("The Show") and "Lacio Drom (Buon Viaggio)" ("Good Journey" in Romani).

Mondi Sommersi ("Submerged Worlds" in Italian) is the band's seventh album, and it represents the element of water. The album has a more alternative rock sound than the previous ones, with influences from grunge, industrial and electronic music. The album is also more introspective and melancholic than the previous ones, with songs that reflect on themes such as loneliness, nostalgia, dreams and illusions. The album features some of the band's most mature songs, such as "Mondi Sommersi", "Regina Di Cuori" ("Queen Of Hearts") and "Goccia A Goccia" ("Drop By Drop").

The Separation and the New Litfiba (1999-2009)

The third era of Litfiba's music is marked by the separation of Piero Pelù and Ghigo Renzulli, the two founding members and main songwriters of the band. Pelù left the band in 1999 to pursue a solo career, while Renzulli continued with the name Litfiba with new members.

The first album without Pelù was Infinito ("Infinite" in Italian), released in 1999. The new singer was Gianluigi Cavallo, known as Cabo, who had a similar vocal style to Pelù. The album had a more modern rock sound than the previous ones, with influences from nu metal and rap rock. The album was well received by the fans and critics, and featured some successful songs, such as "Vivere Il Mio Tempo" ("Living My Time"), "Mascherina" ("Mask") and "Mr. Hyde".

The second album without Pelù was Elettromacumba ("Electromacumba" in Italian), released in 2001. The new drummer was Ugo Nativi, who replaced Franco Caforio. The album had a more experimental sound than the previous ones, with influences from electronic music and world music. The album was less successful than the previous one, but still featured some interesting songs, such as "Elettromacumba", "L'impossibile" ("The Impossible") and "Sole Nero" ("Black Sun").

The Reunion and the Last Years (2009-2022)

The fourth and final era of Litfiba's music is marked by the reunion of Piero Pelù and Ghigo Renzulli, the two founding members and main songwriters of the band. Pelù and Renzulli announced their reunion in 2009, after 10 years of separation, and started a new tour and a new project.

The first album of the reunion was Stato Libero di Litfiba ("Free State of Litfiba" in Italian), released in 2010. The new drummer was Pino Fidanza, who replaced Gianmarco Colzi. The album had a more classic rock sound than the previous ones, with influences from blues, folk and country music. The album was well received by the fans and critics, and featured some successful songs, such as "Sole Nero" ("Black Sun"), "Barcollo" ("I Stagger") and "La Mia Valigia" ("My Suitcase").

The second album of the reunion was Grande Nazione ("Great Nation" in Italian), released in 2012. The new keyboardist was Federico Sagona, who replaced Mauro Sabbione. The album had a more hard rock sound than the previous ones, with influences from metal and punk rock. The album was less successful than the previous one, but still featured some interesting songs, such as "Grande Nazione", "L'impossibile" ("The Impossible") and "Squalo" ("Shark").

The third and last album of the reunion was Eutòpia ("Eutopia" in Italian), released in 2016. The new bassist was Cosimo Zannelli, who replaced Gianluca Venier. The album had a more alternative rock sound than the previous ones, with influences from indie rock and pop rock. The album was well received by the fans and critics, and featured some successful songs, such as "Eutòpia", "Straniero" ("Stranger") and "Io Ti Cerco" ("I Look For You").