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The postmodern style subverts the synchronous structure of the classical narrative by using one or more devices to disrupt the chronological flow of the plot including flashbacks, flashforwards, nonlinear narrative, mise-en-scéne, memory palaces, temporal jumps, and dream sequences. Postmodern films can use such metatextual elements as a narrator, voice-over, or archival footage as evidence of history, life, and the moral order. Postmodern works often criticize or satirize the conventions of classical narrative such as linearity, cause-and-effect logic, and moral and dramatic closure. Examples of postmodern narrative include Candyman (1992), Crash (1996), Fight Club (1999), American Beauty (1999), Friday (1995), The Village (2004), and Zero Dark Thirty (2012).
Metafiction is self-reflexive fiction that refers to itself as fictional (a literary genre) and/or alludes to literary techniques and conventions. Likewise, meta-deconstruction involves the interpretation or deconstruction of non-fictional texts within a fictional context.
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